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Chapter 6 - Interlude: Helen, Before the Water. 

She always walked alone in the evenings. Not for the quiet, but for the pattern of the quiet—how it broke in certain places, how the wind skipped over particular stones, how the birds paused in the trees when she passed by the Hollow's edge.

Helen Harper had never belonged to Hallowbridge, not really. She had come to the village a stranger, loved by Arthur, tolerated by the rest. Her laugh was too bright. Her questions too pointed. She saw the cracks where others painted over them.

The villagers smiled at her with thin lips and empty eyes. She kept smiling back—until the day she stopped.

That day, she saw something that didn't fit.

It was in the parish records, deep in the backroom of the library, hidden behind pages about crop rotations and river disputes. The handwriting shifted there—neater, more careful, like someone had paused before writing.

It read:

"Chambers, M. — sealed by order. Do not disclose."

No cause of death. No family. No location of burial. Only a stamp: CENSORED BY CLERICAL DECISION.

Helen had taken a pencil and quietly copied the name onto a slip of paper: Mary Chambers. It stuck to her skin like an oil she couldn't wash off.

That night, the dreams began.

They weren't dreams in the usual sense. More like memories that didn't belong to her.

The spiral appeared first. Drawn in chalk on stone. On a wall. On a door.

She'd see it, and then—

A hand, shaking as it carved the symbol into a tree.

A voice whispering, "It's watching. It remembers. It waits."

She began keeping a journal. At first, just observations. Then sketches. Then… warnings.

Arthur never saw the worst pages. She tore those out and burned them before he returned from his work in the city. She loved him too much to show him the fear eating through her thoughts.

But she told him little things—about the bridge, about the villagers, about the symbol.

He laughed at first, gently, as a man in love does when the woman he loves becomes consumed by something invisible.

Then one day, he didn't laugh. He just said, "Be careful."

That was the last real thing he ever said to her.

The day before she died, she spoke to Father Ashcombe. It was raining softly. The chapel candles flickered low.

"I think the village chose to forget," she told him. "But the land hasn't."

The priest didn't reply. His hands were clasped too tightly to say anything without them shaking.

"I found a spiral carved into the inside of the old apothecary," she added. "And another one in the wood beneath the church pulpit. Why there, Father?"

Silence.

He looked at her as if he saw something behind her. Or inside her.

"I'm not trying to cause trouble," she whispered. "I just want to understand."

"You don't want to understand," he said, finally. "You want to wake it up."

That night, she returned to the bridge.

The fog was heavier than it had any right to be. Even the stars refused to shine.

She carried a single candle in a jar. In her other hand, her notebook.

When she reached the center of the bridge, she stopped. Listened.

Nothing.

Then—

A rustle. Not behind her, but beneath.

Water doesn't rustle.

She leaned over the edge.

Blackness stared back.

She turned a page in her notebook and wrote, quickly:

"They think it's a curse. I think it's a scar. Mary didn't open the Hollow. She closed it. And now someone's trying to pry it back open."

Then:

"It watches always."

Then:

"Tell Arthur to forgive himself."

The next morning, they found her candle broken in half and her notebook soaked.

No body.

Just the bridge.

And silence.

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