On September 10th, the Vine Tribe had prepared the sacrifices, and Jiang Xuan spent another day firing the clay blanks of the three Large Pottery Cauldrons into ceramics.
Due to the great experience gained previously, coupled with the fact that the cauldrons were quite thick and not easily cracked, all three cauldrons were fired successfully this time.
The surfaces of these pottery cauldrons were dark red, with totem patterns of the Vine Tribe carved on the outer walls, and motifs of flowers, birds, insects, fish, and fierce beasts, giving an impression of simplicity and grandeur at a glance.
Jiang Xuan carried these three new cauldrons to the center of the new altar, arranging them in a triangular shape, symbolizing the concept of life spawning myriad things.
Apart from the cauldrons, the altar was encircled by eight huge totem poles, and even the large beast bones were placed neatly.
